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Game Review: Sleaford Mods' Jason Williamson Assumes Character in Critical Look at Ecstasy Generation Era

Produced by Bristol sound co-founder the musician-producer, this sharp-edged if slight debut feature casts a critical gaze on 90s rave culture. Self-serving drug user David (the actor) initially steals from an unconscious dealer, then in another flashback tries to break into his own parents. Before you can say, he's upside down in the remains of his car in a forest – and subject to the angry eye of the Poacher (vocalist Jason Williamson). Declining to free David, with no time for city dwellers, he is a fractured society personified: “You’re one of those noisy cunts from up on the heath.”

Unsteady Opening and Grimly Amusing Confrontation

The film begins uncertainly, spending too long on pedantically chronicling David’s attempt to extricate himself from his safety harness, while awkwardly transitioning into past scenes of his everyday life. The central theme – that the ecstasy generation were primarily out for themselves – is clearly conveyed. But these brief episodes are insufficiently developed to properly prime us for what to expect when the Poacher turns up, fuming after David strangles his dog. Nevertheless, a grimly amusing standoff takes hold – David eager to get away; the Woodsman denying his container of scrumpy, intent on dousing him instead in embittered discourse. Williamson, exuding ponderous menace in the role, is reminiscent of Michael Smiley.

Stylish Imagery and Promo-Inspired Sensibility

Just a single important plot development, but it results in a hilariously staged chaotic run on the woodland paths that veers toward folk horror. Filmmaker John Minton finally gets to go all in with his ostentatious visuals: where he was hunkered down doing impressionistic closeups of bugs in headlights in the opening part, he now goes all out with the full lysergic grand display, soundtracked to a frenzied keyboard rendition of Ravel’s Boléro. Game feels more like an elongated music video than a fully fledged drama, but there’s enough strident imagery to suggest that Minton could emulate Jonathan Glazer, Garth Jennings and others into successfully graduating from the UK video industry.

Game releases in UK and Irish cinemas from 17 November.

The writer

Luis Bennett

A tech journalist and digital culture enthusiast with over a decade of experience covering streaming platforms and online communities.

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